All visual and sensory cues indicate that it is spring, but the calendar says it's pre-equinox, so like anyone raised east of the Mississippi I'm still dressed in gloomy winter hues. That is to say, in black. Part of me is starting to feel like a creepy but sensitive and well-intentioned protagonist in a Tim Burton movie. Or like young Severus Snape. Or like a Catholic priest at a Mardi Gras parade. And part of me still feels mourning clothes are appropriate in this early part of a new year, when the loss of the dead-and-gone old year is still being felt.
All this focus on time and temporality and neurotic paranoia of aging is partly, I swear, Marcel Proust's fault. If you know me, you might know that for the past two years I've been working my way through
In Search of Lost Time, and at the pace of a snail -- for that is, I believe, Proust's intended pace. The reader, mired in the hard labor of digesting sentences of near endless length and detail, grows ever more frustrated by the amount of sand that passes through the hourglass at the turning of a single page. At this point in time, I'm reading Volume 3,
The Guermantes Way. I'm enjoying it, despite the mental effort it requires of me. Proust dropping Wagner's name ("Wagnerian sweetness," in Chapter One) as an emblem of musical taste made me smile.